"Well," said Franz with a sigh, "do as you please my dear viscount, for your arguments are beyond my powers of refutation. Still, in spite of all, you must admit that this Count of Monte Cristo is a most singular personage."

"He is a philanthropist," answered the other; "and no doubt his motive in visiting Paris is to compete for the Monthyon prize, given, as you are aware, to whoever shall be proved to have most materially advanced the interests of virtue and humanity. If my vote and interest can obtain it for him, I will readily give him the one and promise the other. And now, my dear Franz, let us talk of something else. Come, shall we take our luncheon, and then pay a last visit to St. Peter's?" Franz silently assented; and the following afternoon, at half-past five o'clock, the young men parted. Albert de Morcerf to return to Paris, and Franz d'Epinay to pass a fortnight at Venice. But, ere he entered his travelling carriage, Albert, fearing that his his expected guest might forget the engagement he had entered into, placed in the care of a waiter at the hotel a card to be delivered to the Count of Monte Cristo, on which, beneath the name of Vicomte Albert de Morcerf, he had written in pencil -- "27, Rue du Helder, on the 21st May, half-past ten A.M."

In the house in the Rue du Helder, where Albert had invited the Count of Monte Cristo, everything was being prepared on the morning of the 21st of May to do honor to the occasion. Albert de Morcerf inhabited a pavilion situated at the corner of a large court, and directly opposite another building, in which were the servants' apartments. Two windows only of the pavilion faced the street; three other windows looked into the court, and two at the back into the garden. Between the court and the garden, built in the heavy style of the imperial architecture, was the large and fashionable dwelling of the Count and Countess of Morcerf. A high high wall surrounded the whole of the hotel, surmounted at intervals by vases filled with flowers, and broken in the centre by a large gate of gilded iron, which served as the carriage entrance. A small door, close to the lodge of the concierge, gave ingress and egress to the servants and masters when they were on foot.

It was easy to discover that the delicate care of a mother, unwilling to part from her son, and yet aware that a young man of the viscount's age required the full exercise of his liberty, had chosen this habitation for Albert. There were not lacking, however, evidences of what we may call the intelligent egoism of a youth who is charmed with the indolent, careless life of an only son, and who lives as it were in a gilded cage. By means of the two windows looking into the street, Albert could see all that passed; the sight of what is going on is necessary to young men, who always want to see the the world traverse their horizon, even if that horizon is only a public thoroughfare. Then, should anything appear to merit a more minute examination, Albert de Morcerf could follow up his researches by means of a small gate, similar to that close to the concierge's door, and which merits a particular description. It was a little entrance that seemed never to have been opened since the house was built, so entirely was it covered with dust and dirt; but the well-oiled hinges and locks told quite another story. This door was a mockery to the concierge, from whose vigilance and jurisdiction it was free, and, like that famous portal in the "Arabian Nights," opening at the "Sesame" of Ali Baba, it was wont to swing backward at a cabalistic word or a concerted tap from without from the sweetest voices or whitest fingers in the world. At the end of a long corridor, with which the door communicated, and which formed the ante-chamber, was, on the right, Albert's breakfast-room, looking into the the court, and on the left the salon, looking into the garden. Shrubs and creeping plants covered the windows, and hid from the garden and court these two apartments, the only rooms into which, as they were on the ground-floor, the prying eyes of the curious could penetrate. On the floor above were similar rooms, with the addition of a third, formed out of the ante-chamber; these three rooms were a salon, a boudoir, and a bedroom. The salon down-stairs was only an Algerian divan, for the use of smokers. The boudoir up-stairs communicated with the bed-chamber by an invisible door on the staircase; it was evident that every precaution had been taken. Above this floor was a large atelier, which had been increased in size by pulling down the partitions -- a pandemonium, in which the artist and the dandy strove for preeminence. There were collected and piled up all Albert's successive caprices, hunting-horns, bass-viols, flutes -- a whole orchestra, for Albert had had not a taste but a fancy for for music; easels, palettes, brushes, pencils -- for music had been succeeded by painting; foils, boxing-gloves, broadswords, and single-sticks -- for, following the example of the fashionable young men of the time, Albert de Morcerf cultivated, with far more perseverance than music and drawing, the three arts that complete a dandy's education, i.e., fencing, boxing, and single-stick; and it was here that he received Grisier, Cook, and Charles Leboucher. The rest of the furniture of this privileged apartment consisted of old cabinets, filled with Chinese porcelain and Japanese vases, Lucca della Robbia faience, and Palissy platters; of old arm-chairs, in which perhaps had sat Henry IV. or Sully, Louis XIII. or Richelieu -- for two of these arm-chairs, adorned with a carved shield, on which were engraved the fleur-de-lis of France on an azure field evidently came from the Louvre, or, at least, some royal residence. Over these dark and sombre chairs were thrown splendid stuffs, dyed beneath Persia's sun, or woven by the fingers of the women of Calcutta or of of Chandernagor. What these stuffs did there, it was impossible to say; they awaited, while gratifying the eyes, a destination unknown to their owner himself; in the meantime they filled the place with their golden and silky reflections. In the centre of the room was a Roller and Blanchet "baby grand" piano in rosewood, but holding the potentialities of an orchestra in its narrow and sonorous cavity, and groaning beneath the weight of the chefs-d'oeuvre of Beethoven, Weber, Mozart, Haydn, Gretry, and Porpora. On the walls, over the doors, on the ceiling, were swords, daggers, Malay creeses, maces, battle-axes; gilded, damasked, and inlaid suits of armor; dried plants, minerals, and stuffed birds, their flame-colored wings outspread in motionless flight, and their beaks forever open. This was Albert's favorite lounging place.

“Why do you think so?”

“How else can we explain her frenzied anxiety that her second one should not enter it? The facts, as I read them, are something like this: This woman was married in America. Her husband developed some hateful qualities, or shall we say he contracted some loathsome disease and became a leper or an imbecile? She flies from him at last, returns to England, changes her name, and starts her life, as she thinks, afresh. She has been married three years and believes that her position is quite secure, having shown her husband the death certificate of some man whose name she has assumed, when suddenly her whereabouts is discovered by her first husband, or, we may suppose, by some unscrupulous woman who has attached herself to the invalid. They write to the wife and threaten to come and expose her. She asks for a hundred pounds and endeavours to buy them off. They come in spite of it, and when the husband mentions casually to the wife that there are newcomers in the cottage, she knows in some way that they are her pursuers. She waits until her husband is asleep and then she rushes down to endeavour to persuade them to leave her in peace. Having no success, she goes again next morning, and her husband meets her, as he has told us, as she comes out. She promises him then not to go there again, but two days afterwards the hope of getting rid of those dreadful neighbours was too strong for her, and she made another attempt, taking down with her the photograph which had probably been demanded from her. In the midst of this interview the maid rushed in to say that the master had come home, on which the wife, knowing that he would come straight down to the cottage, hurried the inmates out at the back door, into the grove of fir-trees, probably, which was mentioned as standing near. In this way he found the place deserted. I shall be very much surprised, however, if it is still so when he reconnoitres it this evening. What do you think of my theory?”

“It is all surmise.”

“But at least it covers all the facts. When new facts come to our knowledge which cannot be covered by it, it will be time enough to reconsider it. We can do nothing more until we have a message from our friend at Norbury.”

But we had not a very long time to wait for that. It came just as we had finished our tea.

The cottage is still tenanted [it said]. Have seen the face

again at the window. Will meet the seven-o’clock train and

will take no steps until you arrive.

He was waiting on the platform when we stepped out, and we could see in the light of the station lamps that he was very pale, and quivering with agitation.

“They are still there, Mr. Holmes,” said he, laying his hand hard upon my friend’s sleeve. “I saw lights in the cottage as I came down. We shall settle it now once and for all.”

“What is your plan, then?” asked Holmes as he walked down the dark tree-lined road.

“I am going to force my way in and see for myself who is in the house. I wish you both to be there as witnesses.”